Wednesday, 6 November 2013
Sunday, 3 November 2013
Art Retreats in Oman
To move beyond the immediate and channel the 'Leila' - “the process of creation and re-creation. To make something and then re-create on top of it”. To see 'Leila' put into action is a jarring experience. As the Fusionartists seemingly deface a morning's worth of work by painting over it, turning it on its head - even mangling it with a fork, creativity isn't the word that immediately comes to mind.
“The whole point of FusionArt is to get out of this idea that you possess your work. To let go of that fear of not ‘spoiling’ the work, of doing something ‘safe’, we destroy the aspect on the canvas that we are most possessive about. We paint over it,” said Gailani.
“Then, the fear of error, of not meeting some standards, goes away - which is very refreshing. I think it’s the lack of fear, getting acceptance, that this teaches you.”My thought was that if I attended every retreat every month as some regulars have done, I'm going to end up with lots of work. Actually no bad thing. I NEED the time, space and peace to work on something. However, the above statement means that I may not even go home with anything. That does jar with me a little!
So, here on my doorstep is probably what I've been needing all along. If only I had looked a little harder rather than going through periods of low inspiration in my own four walls.
Watch this space.
I still be planning my next 'gap week'. (Never had a gap year so I'm making up for it in weekly stages!)
Tuesday, 15 October 2013
Half term here...
Thursday, 10 October 2013
More of the expat life...
Sunday, 6 October 2013
Friday, 4 October 2013
The Infamous Staff Bubbly Brunch...
Tuesday, 1 October 2013
Artist of the Month - October
An interesting and eclectic collection of works in a variety of media.
I was well aware that weather affects us in many ways, especially mood. I am becoming more aware of it recently as I think I am a walking barometer. My health seems to deteriorate (migraines increase especially) around March/April and September/October when 'the weather changes'. That's another stock phrase here I'm getting tired of hearing especially in relation to all the bugs going around.
Let Me In from http://www.kinblethmontgallery.co.uk/Exhibition3.html |
The first who studied the link between health and climate was Hippocrates in the fifth century BC. However, until recently it was believed that a meteoropathic is the true representative of a hypochondriac, but today more and more scientists associate sudden weather changes with the general state of health. Wind, humidity, rain and climate change can actually cause various symptoms of migraine or asthma to anxiety and insomnia. The latest research has proven impressive data: 30 percent of the population is sensitive to weather changes. In other words, every third person feels broken when the sky suddenly becomes cloudy or starts to rain.From http://wechoosehealthy.com/meteoropathy/
Monday, 30 September 2013
Lesson of the Week...Weather in Art
Monday, 23 September 2013
Artist of the Month - September
On first glance, he really isn't an artist that would appeal to me. I asked my Dad if he would have his work on his wall...maybe back in the day but not now. As I've looked at his work more I am drawn more to it and notice more detail each time and I'm realising that is a basis for having a piece of art on display. He's definitely going to be an inspiration but his technique I can only dream of!
Dean was born in Ashford in Kent but travelled well as a child being the son of an British Army engineer father. He came back to England in the late '50s and went to the Canterbury College of Art. He is actually a silversmith and furniture designer by trade with architecture being part of his CV as well. However, he became a much respected and reknowned rock artist in the 1960s. He has designed many album covers for the likes of Yes and Asia and has published books of his work. He became known for the distinctive bubble style that he designed for Yes' album Close to the Edge...
...it's this album that my painting reminded my Dad of:
He is otherwise known for the fantasy scenes he paints, the almost sci-fi scenes but he sees himself as more of a landscape painter than a fantasy artist. Arches, floating islands, sweeping and swirling paths are all features of these organic dreamy landscapes. He mostly works in watercolour, but many of his paintings have mixed media including gouache, ink, enamel, crayon and collage.
Wednesday, 11 September 2013
My latest painting
It’s another school year, another term and the summer months have flown by. I’m back to it with my old classes now in their next year and my brand new year 3s. So cute. I'm finding I need to refresh my planning all the time I think otherwise I feel I will get a bit bored and lose my way with my lesson plans. A few more years in the job and I might get it right!
I spent the remainder of the summer holiday here in Oman, painting my next commission and it was finished within a month this time because I had the time for it and could absorb myself in it. I had great fun doing this one. My last one was full of love, this one was full of enjoyment and fun.
So writing here has had a hiatus, but I’ve been taking in the art world as well as some new (to me) artists. The next post will be about an artist who my Dad has introduced me too…simply because the painting below that I have recently completed, reminded him of Dean’s work. It’s also a throwback to his youth as well maybe ;-)
Enjoy.
Wednesday, 28 August 2013
Newbie Artist Musings
Monday, 26 August 2013
A look at other Art Bloggers
I think I focus on it already but I really want the children to start to automatically offer an opinion on a piece of famous art or even an artist's style. I know I encourage discussion and opinion in a structured format that leads into the lesson but would like to find another way that tells them it's OK to ask a question or offer a thought at any time. So I liked this idea from Olive and also this one too that makes up more of a lesson.
Olive ART! Do You???: Looking at Art: She has a bulldog clip with her chosen painting and her bubble whiteboard next to it with some magnetic words. And this allows the children to choose their word that they associate with the picture, whether it is something they see or something that they feel or even the mood of the painting. Whichever it may be, as she says, it encourages the children to learn to 'see' more in art.
Her other recent development I like would to see how she gets on with, has the pupil discussing the quote and the piece of art, do they like or connect with the painting, do they agree or disagree with the artist's quote, and the children concluding from this what it is to make art...it's not just about paint and pencils and making marks. I'd like to do this with my year 6s.
I would have activities like this in an area every week and for every year in which they could discuss, describe, think about a piece of art, a type of art movement or an artist. I used to do things like this with Maths or Literacy and especially Science, around the classroom, for early finishers, say.
(Having said that, I am a peripatetic...well, between the classrooms, not schools...art teacher...I have yet to have my own art room. We are having a new school built and plans were for it to be completed for the school year 2014/15 with me having a room. However...seeing as we're in the Middle East, it ain't working like that. And I will continue to lug that huge not-quite kid-proof Ace Hardware toolbox around, with it's handle and clips held on with bits of string. I'm going to see how much longer it'll last!)
Thanks Olive, you've inspired me to start collecting and creating activities like this for my fantasy classroom! In the meantime, for a plenary at least.
Friday, 23 August 2013
Architecture in Primary Art
I'll be honest, I'm only coming up to my second year teaching art and so haven't really absorbed myself in any great number of art curriculum documents. Technique and skill have been my focus much like Patty over at Deep Space Sparkle. She feels that, like me, her job is to bring the art world to children, get them being creative and developing their skills at the same time. She doesn’t grade or follow standards and she is not reviewed. She uses the word ‘organic’. I feel I have been allowed that capacity by my school as well. As was always the case when I started teaching, developing self-esteem and confidence, this time in art (mine as well as the kids!) has also been my drive.
The point I'm getting to is that I am not familiar with any previous art curriculum besides that which was incorporated within the various cross curricular frameworks (yay...) as it's not been forced to be my main focus, for which I am thankful.
Was architecture a big feature in previous curriculum incarnations?
I jigged the year 5's Victorian art programme up a bit last year and we all loved it so I want to stick with it. We became architects for the day and studied and designed a Victorian house or building. I want to incorporate a Victorian architect's work and give some personality to the theme.
This summer, I took a purely-educational-and-for-research-purposes-only trip to Alton Towers. From the heights of the Runaway Train, at varying angles on Nemesis and Air and using an interior study of the ride 'Hex' I was able to study the beautiful yet striking Alton Towers house itself (for no other reason, I remind you! Killing Zombies in Duel, going 100kph in 2.5 seconds at 4.7g on Rita and having my stomach removed from me on Thirteen whilst my daughter laughs hysterically next to me was all in my break ;-) ).
Alton Towers itself is an imposing yet beautiful Victorian Gothic building designed by Augustus Welby Northmore Pugin, a rather busy and productive man of his time who actually died of exhaustion at 40 years old.
There isn’t really anything on him for kids yet he designed many British landmarks. I suppose this is where I remember my kids are primary...maybe there is more to study at secondary level…
But then I remember that we teach them about the great artists so why not the great architects? Of which there are just as many. (Incidentally apparently I'm related to Sir Christopher Wren...I do still need to research this...but it was my Nan's claim to fame I think!). I was taught to be a science specialist with the belief that the children I am educating are future citizens, constructors, designers and engineers of our world and therefore need to start questioning and querying and prodding and understanding the world around them NOW. Why not do this in Art too? A fun look at architecture in Primary school could just spark something in one of those gorgeous minds.
Incidentally, in my research so far for the new curriculum for the UK, if that's what floats your boat:
“…the department published proposals to reform the national curriculum so that it is slimmer, focused on essential subject knowledge and which, especially in the core subjects of English, mathematics and science, compares favourably with the curriculums taught in the most successful education jurisdictions in the world."
“... the current system of ‘levels’ used to report children’s attainment and progress will be removed. It will not be replaced. We believe this system is complicated and difficult to understand, especially for parents. It also encourages teachers to focus on a pupil’s current level, rather than consider more broadly what the pupil can actually do. Prescribing a single detailed approach to assessment does not fit with the curriculum freedoms we are giving schools.”
“The new programmes of study set out what should be taught by the end of each key stage. We will give schools the freedom to develop a curriculum which is relevant to their pupils and enables them to meet these expectations.”
"Schools will be able to introduce their own approaches to formative assessment, to support pupil attainment and progression. The assessment framework should be built into the school curriculum, so that that schools can check what pupils have learned and whether they are on track to meet expectations at the end of the key stage, and so that they can report regularly to parents."
Some useful links outlining the timescale and pathway of the UK curriculum, with particular focus on Art and design of course!
The main link:
http://www.education.gov.uk/schools/teachingandlearning/curriculum/nationalcurriculum2014/a00220600/draft-national-curriculum-programmes-of-study
Art and Design’s Programme of study:
http://www.education.gov.uk/schools/teachingandlearning/curriculum/primary/b00198792/art/ks2
No mention of architecture…only in KS1.
The old Assessment system:
http://www.education.gov.uk/schools/teachingandlearning/curriculum/primary/b00198792/art/attainment
It looks like they’ll be removing that as it is too confusing for parents. Well, I got the hang of it after 4 years, why can’t they? J
Art and Design before the new Curriculum comes in:
http://www.education.gov.uk/schools/teachingandlearning/curriculum/primary/b00198792/art
“…no longer statutory…” “…free to develop…” in preparation for the new curriculum. Sounds great. Ooh, I’m allowed to do that already!
Draft Art and Design curriculum from September 2014…
Can’t find anything on the gov.uk website, I just get sent to the ICT development committee. Dull. ;-)
I continue my search. In the meantime, I’ll stick to my freedom to develop the art programme for my KS2ers. Even the government says it ok. Happy days.